1. L.A. Style It is believed that the LA style salsa was developed within Los Angeles by the Vazquez troublemakers. It is a very straight-lined form of dance that incorporates the contemporary mambo basic moves (forward and backward moves) with a variation of men who break forward on count '1'. For more detail please visit:- https://capquangvnpt24h.com/ piano điện kawai This style of dancing is famous for its flashy moves and the dramatic movements with an large use of dips, drops and tricks that are performed by males. The majority of movements of this dance are created from cross body footwork patterns and lead variations. This produces a complex sequence of jazzy and fast footwork patterns. The LA style is a salsa that incorporates a number of other kinds of dance, like the hip-hop style and the jazz. This makes it extremely difficult for the dancers to perform and yet it's a treat to the eye of the people watching it. It is very similar with the New York style of salsa, which explains their incredibly diverse collection of moves, but they have their distinctive approach to the ebb style, their design and movements. If we take a careful examine their method of dancing from a viewing window, we can identify the differences in their dance forms. There is a New York style of salsa is composed of a more elegant and refined look and feel for dancing and it is the LA style of salsa dancing requires the dancers to perform an amazing display of extraordinary tricks that would catch one's attention within a second. The performance is sharp and precise with a vigorous appeal. One of the most distinctive aspects of the LA form of Salsa is its quest for including the most difficult acrobatics within the dance and the tremendous amount of energy that dancers exhibit in their stage performances. 2: New York Style It is believed that the LA style of Salsa and the New York style of Salsa are very close with each other since they share Mambo basics and are both linear in their execution. However, unlike its counterpart, this New York type of Salsa has gained a reputation for being danced on the second beat of music, 'on 2', whereas there are many New Yorkers who still dance on 1. This type of Salsa is recognized for its more relaxed and elegant style of dancing. This involves cross-body turn patterns, as well as complex footwork that are known to be easy and controlled. These with some complex technical movements, makes the dance look more refined as well as graceful and flowing. The manner of dancing forces the dancers to remain in their slots and not move about the entire dance floor with many spins and styling. In the New York type of Salsa places more emphasis on dance performances that stand above the rest, even their friends. This introduces situations, where dancers separate from their group and dance alone for a period of time. There are generally two kinds of variations on the new York type of salsa that are called The Contemporary Mambo (or the Eddie Torres Style) and the Palladium style. This Eddie Torres style of new York Salsa was popularized by Eddie Torres who is also often referred to as"the "Mambo King". The dance style is recognized by its constant smooth body movements and change of feet at the non-weight-changing counts of '4' or '8'. Different from those who dance in the Eddie Torres Style, the Palladium style of Salsa is more similar to the Mambo style in the 1950's, where the non-weight-changing occurs at the counts of '1' as well as '5'. The minor change in counts might not seem to matter too significant to you, but can dramatically alter the look and feel of someone dancing Salsa. It is a New York style tends to have a lot of variations from other forms of dancing, both in its definitions and explanations of basic steps. As this type of dancing is very compact it requires less space than other types of dancing, which makes it a perfect style for dancing on busy dance floors. 3: Cuban Style A Cuban form of Salsa which is also referred to as Casino style, has its origins from Cuba. Many Cubans consider casino to be a part of their cultural and social way of life, which makes the casino dance an expression of their culture of social acceptance. They have dedicated a great deal of popular music to dancing the Cuban Style Salsa. The word Casino comes out of the dancing halls "Casino Deportivos", where the white Cubans were able to gather and danced in the late 20th century. The Casino originates from the partner dance from the Cuban Son, which has been merged with figure figures and twists from to the North American Jive. This Casino style Salsa is distinguished by its Afro Cuban style body movements which uses full body isolation and frequent hip moves. The hip movement is very apparent due to the heavy and accelerated pumping of knees. The Cuban style Salsa is not characterized by lots of quick spins and is primarily based on circles of dancers in a circle around one another. They typically have simple footwork, yet they possess an extremely complex armwork which requires the follower to have extremely flexible arms. With a lot of similarities to Son, Danzon and the Cha Cha Cha, the Cuban style of Salsa is usually danced in the form of an "Contratiempo". In this method of dancing it is the case that the 1st and 5th beats of the clave pattern are not considered however the 8th and 4th beats are highlighted when dancing. In this way, dancers aren't required to adhere to beats, but may have their own unique contribution to the dance using the polyrhythmic rhythm of the music. The dance's lifeblood comes and its rhythm, not because of the mechanical technique that can learn in classes, rather from the knowledge and application of Afro-Cuban culture and the language associated with the dance of Casino. In the same way that singers quote older songs to create their own and dancers from the Casino frequently incorporates various dances, moves that are accompanied by gestures, folklore passages and other folklore phrases and attempt to adapt these. The Casino dancers try to create their own improvised dances by using excerpts from dances performed by African deities, the Rumba as well as other popular dances such as dancing the Danzon and the Cha Cha Cha. 4: Rueda de Casino In the 1950's a group dance led by Guaracheros de Regla that was dubbed Rueda de Casino, or Casino Rueda, or simply known as Rueda was very popular in Havana, Cuba. Rueda is the name given to this dance. is a reference to the dance style involved which includes the complicated moves and turns that are required to dance. In this form of dance, lots of couples move in a circular fashion, the dancer, named the caller, performs hand movements, signalling the steps to execute, and the corresponding move is performed by all couples simultaneously. The dancing couples move around in a circle with leaders rapidly swapping partners, and performing many complex movements, all while dancing to salsa music. Every move has a name and is announced to the dancing couples with hands signals from the caller. The calls can be made in extreme quick successions which create a lively environment for dancers to perform. One of the best features of the Rueda de Casino version of Salsa is the ability to hold as many numbers of dancers as could be accommodated in the space. It can be performed with two couples and more than ten couples. Sometimes, the dancers create multiple number of circular dances for them to dance in. It is the Rueda de Casino form of Salsa brings a new definition in Group Dynamics. It creates a unique sense of awareness and understanding between the dancers, which is essential to ensure that the dancers appear stylish and move with ease, which will be enjoyable for both dancers as well as the viewers. Dancers must look outwards to know what the other dancers doing and perform as they are. This way, dancers begin to coordinate with the dancers with perfect rhythm and style, making the Rueda de Casino function. This type of dancing incorporates partner switching and partner switching, which can be difficult to perform, but makes it exciting to witness. One of the advantages of learning La Rueda de Casino, is that the moves learned in Rueda can be done by a single partner, thus adding it to the dancer's repertoire that includes a variety of moves.